

This layer stack contains many non-destructive edits, each on their own layer or adjustment layer.
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This is useful for situations where you learn a better way of doing something, or the capabilities of the software you're using improve.įor example, after I started using the color blending mode to adjust odd skin tones, I was able to go back and update photos on which I'd originally used a less-effective combination of hue/saturation and curves adjustment layers, but I didn't have to start from scratch. I use a non-destructive editing workflow, which means that I make changes to my images in a way that allows the edits to be tweaked or reverted at a later time. On many of the images I edit, this is the first command I execute. I often start with a new empty layer for baseline retouching. New layer With options dialogue: Ctrl+Shift+N / Cmd+Shift+N Without options dialogue: Ctrl+Shift+Alt+N / Cmd+Shift+Option+N Simply hold down the hotkey for the tool you wish to use temporarily. This technique works for temporarily changing to any tool, not just zoom. When you release z, Photoshop will automatically return you to the brush tool. The fluent approach: just hold down z and drag to use scrubby zoom. It's even worse if you're not yet familiar with the tool hotkeys. Use scrubby zoom to change the zoom level.Type (z) to switch to the magnifying glass.


The non-fluent approach requires 3 steps: Let's say that you're using the paint brush tool to paint on a layer mask, and you want to change zoom level before continuing to paint. Temporary tools Hold any tool shortcut key Without leaving the healing tool or mousing over to the scroll bars, simply hold space and click to pan the image with the scrubby hand to get the rest of the hair.ģ. Imagine you were zoomed in to edit this small flyaway hair, which goes off the top of the screen. Rather than mousing over to the scroll bars or switching to the hand tool to pan your image, just hold down the space bar - your pointer will turn into the "hand" tool icon you can now simply click anywhere in the image (while continuing to hold the space bar) and move the visible part of the image, similarly to how you would move an image on a tablet or smartphone. Regardless of the name, it's incredibly useful when you're working on an image at a high zoom level. I don't know if this feature has a proper name - I call it "scrubby hand" since it feels similar to scrubby zoom to me. Scrubby hand In any tool, hold space bar and drag the image You may also need to select "Enable OpenGL Drawing" under Preferences -> Performance.Ģ. To enable Scrubby Zoom, check the box in the Zoom tool's palette. Just click and drag until you reach the appropriate zoom level. To use this feature: while using the zoom tool, click and hold the mouse button, then drag the mouse left to zoom out or right to zoom in - no extraneous clicks and no extra keys to zoom out. Scrubby zoom is a feature that some users find annoying until they start using the "fluent editing" (one hand to mouse / one hand to hotkey) approach. Scrubby zoom While using zoom (magnifying glass) tool: click and drag left or right While many of these shortcuts and techniques may be familiar to you already, they can be combined to minimize context switches for maximum efficiency. Here are the shortcuts that I find most useful, along with tips for combining them in a fluent manner. To maintain efficiency, I keep one hand on the mouse or tablet stylus as much as possible, and use the other hand to update tools, settings or contexts via keyboard shortcuts - I call this " fluent editing." Whenever I need to click into a menu - or, worse, dock my stylus in order to type something with both hands - it's like hitting a speed bump. The goal of these shortcuts is to allow editing to progress in a smooth, uninterrupted fashion. In this article, I'll share 10 shortcut tips and tricks that I use every day to streamline my workflow. Despite having almost 20 years of experience with Photoshop, I am constantly learning new ways to improve my productivity with the software. I've been using Photoshop since version 3, released back in 1994 my copy came on seven 3.5" floppy discs just like this (that's actually pretty impressive, considering that those seven floppies would only fit one reasonably high-quality mp3 today). It can be a treat to watch somebody work with a tool or do an activity that they are truly fluent in - no superfluous movement or wasted energy. One of the hallmarks of mastery is the ability to get more done with less effort.
